Nuno Santos: Thoroughbreds are back in vogue

Ken's Kitten is a naturally gifted OTTB who has cracked in to 4-star dressage.

Ken’s Kitten is a naturally gifted OTTB who has cracked in to fourth level dressage.

To those who might denigrate the Thoroughbred’s capacity to compete in the dressage world—oh, they’re just not born for it; not “uphill” enough— exercise rider turned OTTB trainer Nuno Santos has a horse to tell you about. Actually, make that two.

A dressage rider who helped transform a nervous, somewhat flighty Thoroughbred named Ken’s Kitten into a third-level mount capable of incredible movement and scope, can hardly conceal his glee today as he speaks of Kitten’s burgeoning four-star achievements.

Ken’s Kitten
Sire: Kitten’s Joy
Dam: Cruise Line
Foal date: April 11, 2007
**
Rapsandtaps
Sire: Tapit
Dam: Redness, by Tale of the Cat
Foal date: April 3, 2010
In only a year’s time, since Santos and Ken’s Kitten were the star attraction at Steuart Pittman’s Retired Racehorse Project Makeover show at Pimlico Race Course, the flashy OTTB has flourished into a full fledged competitor, now floating through piaffe and passage moves at a four-star level.

“He’s such a different horse now,” Santos says. “He has matured so much, and is so willing to do thing without getting nervous. He does his tempe changes, some piaffe and passage … and he has so much more expression in his movement.”

Like a proud papa, Santos says Ken’s Kitten has utterly blossomed under the tutelage of USDF silver medalist (and older brother) Carlos Santos, in California, and now stands poised to take on the Prix St. George test this year.

But Ken’s Kitten, Santos explains, was no flash in the pan, or rarity among today’s Thoroughbred.

Nuno Santos trained Ken's Kitten up through 3-star Dressage before handing over the reins to California USDF silver medalist (and his brother) Carlos Santos.

Nuno Santos trained Ken’s Kitten up through third-level dressage before handing over the reins to California USDF silver medalist (and his brother) Carlos Santos.

Thoroughbreds, he asserts, are coming back into vogue. Even in dressage. And to prove it, he is schooling a previously injured, 5-year-old stallion by Tapit for the upcoming Retired Racehorse Project’s Thoroughbred Makeover Show.

Later this month at a showground in Kentucky, Santos will ride Rapsandtaps in a demonstration highlighting the skill of the mellow Thoroughbred.

In personality, he is totally unlike his predecessor, Ken’s Kitten. Whereas Kitten was nervous and needed to be channeled, Raps is mellow and willing, with the occasional burst of quirky energy, he says.

But what they share is an ability to excel in a reach outside of horseracing, Santos says, noting that Raps comes to Dressage after recuperating from a condular fracture in his right leg. And still he is great, he says.

The two OTTBs are brilliant examples of the basic talents waiting to be unlocked in ex-racehorse Thoroughbreds, says Santos, noting that several of his riding students recently switched to riding Thoroughbreds after riding Warmbloods.

Rapsandtaps works with Nuno Santos in preparation for the Retired Racehorse Project's Thoroughbred Makeover Show at the end of the month.

Rapsandtaps works with Nuno Santos in preparation for the Retired Racehorse Project’s Thoroughbred Makeover Show at the end of the month at the Kentucky Horse Park. Photo by Lydia A. Williams

“My clients had started with Warmbloods, and don’t get me wrong, I love Warmbloods. But they realized that Thoroughbreds are so much easier. They give you energy right away, whereas with the Warmbloods you have to push and push,” he says, adding, “I think the way people look at Thoroughbreds is totally changing, because of all the organizations” working to raise awareness—the Retired Racehorse Project horse shows among them. “Thoroughbreds are getting back into vogue.”

Steuart Pittman, who pioneered the Retired Racehorse Project to remake off-track Thoroughbreds into valuable, competitive sport horses, says he is thrilled with the impact of Ken’s Kitten and soon, Rapsandtaps will display his moves at the show, which takes place at the fabled Kentucky Horse Park this month.

“Very few of the best dressage riders put time into working with Thoroughbreds, and that’s the reason that very few Thoroughbreds show at the FEI levels of dressage,” Pittman says. “Silva Martin proved with Sea Lord in 2011 is that Thoroughbreds can still show brilliance at the Grand Prix level, but that was a very rare situation where one of the most talented dressage riders in the country had a Thoroughbred sent to her as a sale prospect. The result was incredible.

“Nuno Santos is the next person who will work this kind of magic with Thoroughbreds. He has the talent, he has the feel, he knows and loves the Thoroughbred mind, and he has the connections in racing to find clients who will put their money into the long-term training that it takes to reach the top level.”

The story of Our Mims hits the silver screen

Mirabito and Our Mims formed a strong bond that inspired the film. Photo by Sue Rosenbach

Mirabito and Our Mims formed a strong bond that inspired the film. Photo by Sue Rosenbach

When Jeanne Mirabito was a teenager, she placed a “cosmic claim” on 1977 Eclipse Award Champion 3-year-old filly Our Mims, a beautiful racehorse who danced across the teen’s television screen.

With innocent confidence, she declared, “One day I’m going to own her!”

And 21 years later, that’s pretty much what happened.

After marriage and relocation had taken her to Kentucky, Mirabito got a job on a horse farm, which was eerily just a few pastures away from where the older, very difficult mare spent some very unglamorous retirement years sharing a pasture with cows.

One day, while walking out to a back pasture with a colleague, the fiery mare of Mirabito’s teenage dreams leapt out of nowhere and made a mad beeline for her, kicking so fiercely the young woman had to duck to miss a flying hoof that struck a fencepost behind her.

As the mare wheeled and sped off, Mirabito exclaimed, “Who was that?!” and soon a story of love and commitment to retired broodmares, like Our Mims, took Mirabito on a path that led to the creation of Our Mims Retirement Haven in Paris, Ky., and soon, a movie!

Seasoned actress and filmmaker Victoria Racimo conceived and directed the film about a race mare who gets her due.

Seasoned actress and filmmaker Victoria Racimo conceived and directed the film about a race mare who gets her due.

Palomino Entertainment Group now immortalizes Our Mims the race mare, and the “magical” 100-acre farm that Mirabito sweated blood to create for unwanted broodmares, in the feature film One Day: Its theatrical release comes this week.

Directed by seasoned actress and filmmaker Victoria Racimo, whose credits include starring opposite Charlton Heston in “The Mountain Men,” and work with Steven Spielberg on scenes in “Lincoln,” the film depicts the powerful feel of the 42-acre property where Mirabito founded the charity.

After spending long hours at a stretch filming the beauty of the mares roaming freely, or just sitting quietly on a hay pile absorbing the power of the place, Racimo says her original plan to create a 10-minute trailer for the Haven’s website was scrapped in favor of a film that traces the deeper story of Our Mims. From her glorious days on the track, to her downfall, and ultimately to a good life on land, she says, is casting its own spell.

“There was something so special about the farm and the land. There’s a magic that Our Mims has on that farmland,” Racimo says. “It’s bigger than the Hollywood story of a girl finding the horse of her dreams. It’s about finding your passion, and with that passion, discovering you can change something and contribute to the world.”

Racimo, left, starred with Charlton Heston in the Mountain Men. Horses, she says, have always been close to her heart.

Racimo, left, starred with Charlton Heston in the Mountain Men. Horses, she says, have always been close to her heart.

One woman’s passion to restore dignity to a racemare, she adds, has created a place that feels almost holy.

“One day I was out filming and all these horses were out, walking around me, loose. Suddenly something clicked with me, and as I was holding the camera, filming and panning the scene, horses were going over my right shoulder, or coming right toward me, and I suddenly was in a circle of horses,” Racimo says. “That shot is one of the first in the film.”

Narrating the spectacular footage of horses in the golden late-afternoon light, Emmy nominated actor Josh Charles (“The Good Wife,” “Sports Night,” “Dead Poets Society”) weaves the overarching story of Our Mims with gravitas. And interviews with Eclipse Award winning photographer Barbara Livingston, Hall of Fame Jockey Jorge Velasquez and award-winning journalist Steve Haskin provides first-hand accounts, as they witnessed of the great horse.

“We approached Josh Charles of the Good Wife because he’s a great animal lover and he immediately said, ‘I’m on board, sign me up.’ With his voiceover, it’s just so good,” Racimo says. “We also had over an hour interview with Barbara Livingston, and we were able to interview Jorge Velasquez, who rode her, in his home, where he displays his win photo of Our Mims.”

One Day premiers at the Equus Run Vineyards in Midway, Ky., on Oct. 9. A reception begins at 6 p.m., and the screening starts at 7:15 p.m. Tickets are $50 for adults, $25 for children 17 and under. Proceeds from the screening will be donated to Our Mims Retirement Haven. Seats are limited. To purchase tickets, please write to Victoria Racimo at Racimo@palominogroup.net.

Soft-spoken grandma busts a myth on an OTTB

After the ride, Walker says her OTTB seemed to stand a full hand taller. Photo by William Morgan “Billy” Benton

After the ride, Walker says her OTTB seemed to stand a full hand taller. Photo by William Morgan “Billy” Benton

In her glory days, Arrington Walker worked among the stars of horse sport.

An assistant competition manager for equestrian sport at the 1996 Olympic games in Atlanta, she saw the very best athletes strive for the fabled five rings at the pinnacle of their careers.

But now, at age 73, the soft-spoken South Carolina grandmother is doing something even more exciting. She is doing what those in the Thoroughbred world refer to as myth busting.

To the amazement, and mild concern of friends, family and coaches, Walker bought herself an off-track Thoroughbred two years ago, practically pulled the old mare from a field and saddled her up.

Before the horse and rider met, Walker had been looking for the perfect riding horse for several years when in 2012, while chatting at dinner with some friends, she learned that a friend of a friend had a horse she could try.

Cowabunga
New name: Sip and See
Sire: Carborundum
Dam: Suzy’s Surprise
Foal date: Jan. 30, 1996
“I was giving my usual does-anybody-know-of-a-horse story when a friend got this lady on the phone,” and the next instant, Walker was chatting with a former college classmate and horsewoman, who, upon hearing Walker’s story proclaimed, “I’ve got a horse.”

And those words, uttered so confidently by her old school chum Jane Gunnell, turned out to be true. She had a horse all right. And what a gem she was.

“As soon as I put my foot in the stirrup” to try her “I knew. It’s an instinct, and that’s the only way I can explain it,” she says. “We went out in the hunt country of Aiken, and there were two of us riding … and she never put a foot wrong.”

Walker completed her first three phase on Sip and See last month. Photo by William Morgan “Billy” Benton

Walker completed her first three phase on Sip and See last month. Photo by William Morgan “Billy” Benton

After a two-week tryout, Walker purchased the former racehorse and broodmare, and eventually named her Sip and See. The name, taken from a southern colloquialism used by grandmothers, came to her one day while she and a bunch of lady friends gathered in a field to look at her new horse.

“When you have a grandchild, you invite your friends over to sip wine and see the grandchild, so we say, ‘Come over for a sip-and-see.’ And one day in May, six of my friends came with me to her pasture—they brought their lawn chairs— and somebody said, ‘We’ve come to your sip-and-see!’ ”

And all who took a peek at the mare, who was 16 at the time, proclaimed that there, standing in the field serenely grazing, was a gem of a racehorse.

Her calm nature won over everyone, including her riding instructors who initially advised her, for obvious reasons, to purchase an older, smaller, well-trained animal.

Quite the opposite, the mare stood 16 hands, and possessed little training beyond the racetrack. And yet, her lack of a competitive streak made her quite agreeable to train and calm in most situations.

Last month, after a year of training together, the pair of “old ladies” made quite the splash at the Jumping Branch Horse Trials in Aiken.

The 18-year-old Thoroughbred and 73-year-old rider completed their first three-phase, an impressive feat for a rider who hadn’t competed in 22 years.

Though not the Olympic games, the competition was a monumental achievement for her.

“This is my miracle horse,” Walker says. “I’m out there competing, and I haven’t done it in 22 years! I’ve run into so many people from my Atlanta days, and they can’t believe I’m out there riding a horse and jumping!” — Originally published on March 14, 2014. #TBT